Showing posts with label London Collections: Men. Show all posts
Showing posts with label London Collections: Men. Show all posts

Wednesday, January 9, 2013

BEAUTY: Clothing--London Collections: Men F/W '13-'14

Although the British Men's Fashion Week called London Collections: Men only started last year, the English tradition of men's clothing and in particular fine men's tailoring is a very old tradition indeed. Beau Brummel ushered in what we now think of as men's fashion nearly two hundred years ago, and Savile Row has been busy making men look respectable ever since. Which is why it is fascinating to watch London Collections: Men show a mix of traditional suits and wild, youthful, artistic creations.

As with any Fashion Week, it is always interesting to see similar ideas pop up from designer to designer, completely independent of one another, and how each handles the execution of that idea. I call it The Hundredth Monkey Effect. On this note, I suppose it is not odd to see plaid make an appearance again and again since we are seeing collections for Fall and Winter of '13-'14. When the weather turns cold, it is normal to reflect on the type of clothing that will keep us warm, and plaid is iconic in that department.

While retaining a sense of English tailoring and Highland sensibility, Hardy Amies and E. Tautz showed plaid in a slightly skewed light.

E. Tautz, above, enlarged grey and orange plaid and set it on the bias for a more geometrical, modern feel...

...while Hardy Amies very subtly pixellated plaids in vibrant plum and cranberry, above.

Prints were also popular, ranging from the very unique as seen in the previous post about James Long, to the whimsical. Below, Christopher Kane hilariously prints B-movie monsters Frankenstein, The Creature From the Black Lagoon, and Lugosi's Dracula on sporty pieces. 


And Christopher Raeburn showed warm jackets covered in winter-white maps of the Arctic!


Speaking of cold climates, Topman Design channeled the ill-fated Scott Expedition to the North Pole with white polar clothes featuring touches of luxe gold metallic. Backpacks with gold embellishments also featured places on the arm straps to store your compass as well as iPhone! And there was an Arabesque print that was an echo of McQueen's quatrefoil window from a few posts ago, here. The colors unexpectedly warmed up during the show, eventually turning a deep crimson (climate change?).


MAN collective showed three designers as usual, and two standout collections were by Craig Green and AGI and SAM. Green presented a startling collection, not because of any wild colors or patterns, but because of it's strict adherence to black or white. Even the models were painted black. And many wore headpieces made from shards of salvaged lumber. The collection itself seemed cobbled together from scraps and cuttings, so perhaps it was a pro-recycling statement. Whether it was or wasn't, it had the disquieting effect of a trash heap coming to life and staggering down the runway.


AGI and SAM presented a charming, exaggerated, cartoon-colored collection inspired by English ((or French?) country life, complete with paste-on sideburns, (rouged) rosy cheeks, and down vests worn over coats.


The work of Ed Meadham and Ben Kirchhoff is new to me and I am glad I found them. They seem able to go to some extreme places without deconstructing themselves out of any usefulness. This collection was presented, not on a runway, but as tableaux, situated among heaps of full trash bags which Meadham says symbolizes "throwing away the sh*t of last year." Tim Blanks at Style.com noted, "Earlier this week, the designers distributed a mood booklet that told a soldier's story. The loss may well have been life, as well as love. Either way, the tristesse cast a pall over the presentation. The way the models were paired and posed suggested close relationships about to be torn apart. 'Man and boy,' Kirchhoff murmured by way of explanation. The archaic, rustic-French flavor of the clothes supported the notion it was likely the First World War doing the tearing." Among the odd sashes, culottes, and aprons were cotton vestments that had been folded and ripped, like a paper snowflake that, when opened, reveal a symmetrical pattern. Also of note: embellishments of what look to be semi-precious stones.


And finally, in a delightful fit of pique, the design trio Sibling looked at Fall-Winter and said, "You want knitwear? All right, here's your damn knitwear!" Completely unwearable but completely hilarious! (Although, that super-chunky scarf could work...)


http://www.etautz.com/
http://www.hardyamies.com/
http://www.christopherraeburn.co.uk/
http://us.topman.com
http://craig-green.com/
http://www.agiandsam.com/
http://www.meadhamkirchhoff.com/
http://www.siblinglondon.com/

Photos via http://www.style.com/

BEAUTY: Clothing--James Long

The London Collections: Men was full of fascinating shows this year and James Long showed a collection with a subtle, curious inspiration. At first glance, Long's Fall-Winter offering for '13-'14 is chock full of dense, unobtrusive patterns (something the designer is known for) in browns, mustards, rusts, and dirt, just begging to be studied closer. These doodly, intricate designs on knitwear could possibly be mistaken for Missoni, but when one factors in the rubberized trousers with huge elastic bands, rubberized jackets, and rubberized shirts, one would be wrong!


Then the muse shows herself... a motif of "Pink Flamingoes" and sweaters with the visage of Divine! But that doesn't solve anything, it only makes the mystery deepen. Is this Long's take on what the Baltimore citizens of John Waters' films wore in the late 70s and early 80s? The muddy color scheme (a more sophisticated take on 70s mustard and avocado) could have something to do with it...


http://www.jameslonguk.com/
Photos via http://www.style.com/

Tuesday, January 8, 2013

BEAUTY: Clothing--Alexander McQueen

As I mentioned a few posts ago, January is a busy time for men's fashion. London Collections: Men started yesterday and continues through tomorrow, and there have been some wonderful collections and some fascinating surprises which I will compile for an overview at the end of the shows.

In the meantime, here is Sarah Burton for my beloved McQueen with a solid showing that clearly owes inspiration to the 1920s-30s and pin stripes. She sent her models out with clear plastic masks (a reference to 30s gangsters?) and marcelled hair. As usual, there are some great tailoring touches in this collection like highly structured, peaked shoulders that are so reminiscent of Cardin in the 80s. I love how the pin stripes got out of control and made way for color blocks and patchwork, which then, quite surprisingly, gave way to a print of a Gothic quatrefoil stained glass rose window if it were done by Gilbert and George. There is also a black and white version of this print which looks gorgeous on a dressing-gown-cum-overcoat. In fact, these dressing gown coats were shown flowing from under evening jackets, giving them the appearance of a long skirt. It feels decadently elegant and casual at the same time.




http://www.alexandermcqueen.com
Photos via http://www.style.com/

Monday, January 7, 2013

The Fashion Schedule

January is always a very busy month for men's fashion. The London Collections started today, and I will soon be posting some highlights from certain designers.

Here is the lay of the land for the next several weeks. You can expect posts featuring my favorites like Westwood, Galliano, and Thom Browne. But it seems there is usually a surprise among the shows, someone who does something unexpected, or particularly artistic...

January 7 - 9, 2013--The London Collections

January 8 - 11, 2013--Pitti Uomo (This Florentine event is a tradeshow, and generally does not feature runway shows--with exceptions. The attendees, men in the fashion industry like Nick Wooster, are the stars of this event and get lots of press coverage for their unique personal style and appearance. I'll be collecting the best of these men for posts.)

January 12 - 15, 2013--Milano Moda Uomo

January 16 - 20, 2013--Paris Fashion Week